Book Review – May Gibbs – Mother of the Gumnuts by Maureen Walsh

A highly readable biography, Maureen Walsh creates an enduring image of May Gibbs, Mother of the Gumnuts.

Snugglepot and Cuddlepie – May Gibbs’ creations

I came across Snugglepot and Cuddlepie as a child. At the time of my reading, May Gibbs’ tales were already enmeshed in Australian culture; these unique tales of fantasy cosily snuggled into the bookshelves of my family home.

Where are the original copies of the books we owned? I’ve no recollection. However, I do recall the covers, a faded brown, with the gumnut babies proudly peeking out of their homes and the title in shades of golden yellow. The whole image as I recall it, is faded, partly due to time, and possibly the print at the time. The spine is bound with a foreign material, possibly to keep it all together. Like many books in our family library of historical novels, comic books and journals that graced our shelves, it was ‘part of the furniture’ of my childhood home. I am hoping my memory serves me correctly.

May Gibbs would, I am quite sure, be horrified at my recollection of such a cover. Her letters, quoted in the biography, note her preference for strong colours, tones that are rich and full. (An example of one of her letters, specifying layout and colour on pp 103-104 of the book). Regardless, the quirky images remain strongly imprinted in my memory banks.

As I fossick through my bookshelves today, I come across a 1983 edition, printed by Angus and Robertson. On this cover, each colour is as rich as our Australian bush and skies: gum leaf green, wattle yellow, reddish-pink blossoms and gumnut brown set against a vivid blue.

My current copy is part of the small repertoire of books I’ve kept for my grandchildren.

Looking Back

II gained a great deal of pleasure reading works by a range of authors in our family library. An abbreviated list includes –

  • Mary Grant Bruce, Australian, children’s author of the Billabong stories
  • L.M. Montgomery, from Prince Edward Island, Canada, who wrote the ‘Anne’ series, (Anne of Green Gables…)
  • Louisa May Alcott, an American author who wrote Little Women
  • Emily Bronte, English author of the classic, Wuthering Heights
  • Jane Austen, a classic English author who wrote Pride and Prejudice, Northanger Abbey and Persuasion and others.

Back to Snugglepot and Cuddlepie

Maureen Walsh has captured a lasting impression of a strong-minded woman who made her way in the world of the late 1800’s and early to mid-1900’s on her own terms. Such spirit and fortitude enabled her to support herself on her income from the comic strips. Men of the day, many of whom did not achieve the same measure of popularity as May Gibbs, were paid much more. I, for one, am thankful that such inequity, did not hinder May Gibbs’ fiercely independent personality from producing and publishing her adorable, uniquely Australian characters and their stories.

At the time of her passing, in 1969, I was still living at home where her books graced our shelves. Now, fifty plus years on, her legacy remains a bright colourful contribution to Australian literature.

State Library, Sydney, where I discovered an excellent display of May Gibbs’ cartoons.

Perth to Sydney – May Gibbs lived in WA

As happenstance would have it, on my visit to Sydney earlier in the year, I stumbled across an exhibition of May Gibbs’ work.

Meandering through Sydney’s Royal Botanical Gardens, I exited opposite the State Library of New South Wales. As I take a leisurely tour of the displays, I am delighted to see her original drawings, housed behind glass viewing windows.

Cartoon strips of other characters such as Bib and Bub were popular in their day.

On my return home, I pulled my copy of May Gibbs, Mother of Gumnuts from my bookshelves. I learnt how she frequently travelled between Sydney and Perth. She often visited her family in the south west of Western Australia where she roamed the bush. It was here that her love of Australian flora flourished.

It was a delight indulging several leisurely hours of reading. May Gibbs ‘carved for herself a distinct niche in the world of Australian art’ (p88) and literature.

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Links to authors and places mentioned in this post:

State Library of NSW

Royal Botanic Gardens

Mary Grant Bruce

Jane Austen

Louisa May Alcott

L.M. Montgomery

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Restless Dolly Maunder: A Book Review

Restless Dolly Maunder by Kate Grenville

… is a fascinating tale of a woman whose life, in essence, reflects that of any woman in today’s world. How is that so?

Passion comes with a price

Restless Dolly Maunder is an excellent read. Grenville takes her reader on a journey through Dolly’s childhood, into the tumultuous waters of her marriage all the while portraying her ongoing passion to make a life of her own. In the face of a heavy-handed father, and betrayal by both her mother and her husband, (on the same issue), she gives up the best of her life to live according to the belief that enduring marriage is her duty. There was no place for a divorcee in her time: it came with a great deal of societal conditioning and baggage, too hard to bear.

My great aunt was of the same generation as Dolly Maunders
My Great Great Aunt Polly

What’s in a name?

It’s a story about a woman whose name isn’t really Dolly. It is Sarah Catherine. Just like my great grandmother’s sister. Just Aunty, or Aunt Polly, was probably the same woman, christened Margaret. And her sister, my great grandmother, who was always called Cissie, was Eliza. I figure that a christened name is often superseded by a term of endearment. Cissie for ‘Sister”? Unlike Restless Dolly, I do believe my great great Aunt Polly was always cheerful. To my knowledge she never married. (Make a link, if you dare!)

Of the same generation as Restless Dolly, my great great aunt.
Just Aunty or Aunt Polly, as she was known to family.

Where is a woman’s place?

Is it truly ‘in the home’?

This theme is ever-lasting, it would seem. Today’s woman isn’t so different to Restless Dolly. I’ve encountered many who long for the freedom to carve a niche in this world; to contribute to it in some measure that is ‘good’ and are thwarted by our patriarchal society.

As I see it, Dolly sought to fulfill her life in two key ways. Firstly, to experience the joy of creating a child together, within marriage, and to raise her child or children in a loving family. Secondly, to create a life of her own; to find her niche beyond the home, to serve within the wider community. It’s commonplace now, in western society to endeavor to achieve both, and it is not often questioned as heavily in the modern world I know even though there are still silent and not so silent barriers that women need to overcome.

Ahead of her time?

In a way, Dolly is ahead of her time. And in a way she is typical of her time. She is like so many women who sought to break free of traditional expectations.

I am reminded of my mother. She belonged to the generation after Dolly’s. Yet, in her time she created her own family, raised it in a loving way and was of greater service to the wider community.

My mother established two businesses and undertook several positions in the work force in pursuit of an income. This supported her as a young single woman, and subsequently assisted in supporting her family. Her primary goal, as I understood it, was financial. And, like Dolly, she found an outlet for her passion. My mother’ outlet was the love of plants. She ran two successful garden nurseries, on from a farm, the other in a country town. Restless Dolly undertook transformation of local pubs.

In my mother’s garden – her passion was growing and selling plants.

My mother stepped up and into her self-chosen role as a nursery owner with her husband’s support, and dare I, say approval. She became well-known for her willingness to go above and beyond in providing service to her customers. She sought out the right plants, searching suppliers’ ranges of plants and garden ware by personally visiting city outlets. This meant a 6 hour return trip, or longer, plus travelling through the city with a trailer in tow. No mean fete for a farm girl! Restless Dolly would have been proud of her!

Grenville’s nuanced portrayal of restless Dolly is in keeping with her meticulous research of the time, place and social mores of her day. She depicts her grandmother in a combination of family memoir and re-imagined history, creating an enjoyable read.

Learn more about Restless Dolly

You can listen to Kate Grenville talking about Restless Dolly here. And find numerous resources here.

In conclusion

Restless Dolly vividly captures an essential segment of Australian pioneering days, where women needed to stand up to the strongly patriarchal society. It is an ongoing issue, an ongoing fight for place, and the current generation strides ahead. As a 4th generation Australian, I see my children and grandchildren, today’s 5th and 6th generation Australians living in a very different society.

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